This morning, the third day, my aunt comes back to us. Ghee-lit wicks sputter in ire by her interred remains from the pyre. I had witnessed, after the body burnt, how the chemical wilderness that held her crackled to silence. But, when the priest casts his shadow, ant-sized gnomes scamper down the urn to plunge into the bowl of holy water. Now, after the third death, she will be water-borne to where trees do not grow. When I was young, not yet inhabited, my mother made dolls for me. They perched on the window sills at the threshold where the tunnels start. Arecanut women with broom-brush hair, egg-shell girls wobbling on wax bellies, all in sequined blouses and pleated skirts. But I loved the glass-bottle dolls the most, crystal eyes blazing from their cotton-heads felt lips stretched to smiles their insides, only air.
Indu Parvathi (she/her) is a teacher from Bengaluru, India. Her poetry appears in or slated to appear in various literary magazines and platforms including publications in The Yearbook of Indian Poetry (2021, 2022, and 2023), Nightingale & Sparrow, Eunoia Review, The Seventh Wave Magazine, Eclectica, Kitaab Quarterly, and Sweet: Lit.
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Wow, wow, wow. So gorgeous! Thank you.