5 PM
By Sharon Tracey
It’s #tbt! Enjoy this great one from SWWIM Every Day‘s archives!
—Jennifer Bartlett (1991-92); oil on canvas How do you build a painting with only sixty minutes to live between five and six in the evening on a seven square-foot grid— she’s dug a fishpond in a courtyard fissured it in time stocked it with cold-blooded koi dressed in calico and banana yellow some seem dredged in flour as if they might be battered. They dart and swim among the water lilies then tip their scales and slip under as if cold war spies. Leaves past their prime have fallen and float upon the placid surface like Matisse cutouts that have died. So much happens in a single hour and so little—you stare at the appearance of depth and think of the fish, the ticking clock, where the weeping light goes and realize that you could just walk away just take something and walk—
Sharon Tracey is the author of three poetry collections—Land Marks (Shanti Arts 2022), Chroma: Five Centuries of Women Artists (Shanti Arts 2020), and What I Remember Most is Everything (All Caps Publishing 2017). Her poems have been published in Crab Creek Review, Terrain, and The Ekphrastic Review, among others. See sharontracey.com.
03/19 / Poetry Reading and Conversation with visiting poet-in-residence Sunni Brown Wilkinson & local poet Elizabeth Jacobson / The BBar at The Betsy-South Beach, Miami Beach, FL / Live and Live-Streamed on Instagram Live/Facebook Live at @swwimmiami / 7-8:30 pm EST / Free
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wow ... rather stunned by this one today. Brilliant work, Sharon Tracey! Grateful to you (and to SWWIM for making this available). Semi-gutted when I got to the final couplet.
Lovely.